Having finally got some of my slate pieces out to the quarry and with the kiln cooling with the latest Rosebush piece inside, I am headed north to Lybster in Caithness to have 9 days to play with glass as my prize in the Warm Glass competition. I am having a few nights in Edinburgh staying with my sister enroute, and hooking up with some glassy friends on Monday, before embarking on the 8 hour journey to Caithness by train. I will be away from home for two weeks. That piece will be well annealed by mid July!
I am looking forward to having time, facilities, materials and space at Northlands to experiment with ideas and make work inspired by the landscape, alongside an exciting bunch of glass artists from as far afield as Sydney and Portland. Scarey and exciting to be part of this. I can’t believe I have come so far (and ended up in the same place!) in less than a year. Last year I remember a sinking feeling after the Northlands conference of “what the hell am I doing?” when I listened to a tired and disillusioned glass artist sharing her perspective on life as an artist working with glass. Actually, I cried, to be so far out of my comfort zone, to be taking such risks as a painter entering a new field, an artist meeting craft. And what a journey it is ! I am constantly surprised by how long everything takes, Rachel smiles wryly and says “welcome”! The medium imposes this discipline on my unruly ideas, which is just as well.
It is an exciting path. I am so grateful to my new glass artist friends who are making me so welcome, to Bullseye Glass for sponsoring the prize, and to The Arts Council of Wales for supporting my travel to Northlands, and to Jeremy Lepisto, Michael Rogers and others who have shared their skills and knowledge and continue to make supportive “Likes” from afar. Thanks to everyone else in my life who puts up with my absences, my enthusiasm and nerdy fascination with coefficients and historic documents…
Northlands here I come!