It is all 12 hour days in the studio right now to get all the glass painted and fired so that the panels can go to Swansea for leading next week. But deadlines can be a positive thing, and I am sure I would spend another 6 months tweaking details and that wouldn’t necessarily be a good thing.
The amount of detail in these panels astounds even me! How any crafts person is supposed to find time for social media is beyond me – medieval craftsmen had it easy, or, you might say that York Minster would never have been completed if they had had Facebook!! Actually, I am finding social media really useful at the moment for research and for networking with other artists and historians and enthusiasts of various types.
On Sunday 12th February we will host a viewing of the panels in my studio before they go down to Swansea to be leaded next week. People are welcome to come between 4pm and 5pm (sorry, but we have to restrict the time to one hour as we have so much to get done by Tuesday).
The gallery has been converted back into a stained glass workshop and the wonderful Carwyn has constructed fantastic easel light boxes to enable us to work on all three panels together. We have been ailing with seasonal bugs but have been enjoying painting up some glass and preparing pieces for sand blasting. It is great to have the templates and cut lines up in the studio and to actually begin to assess light and colour.
I went to a fantastic gig at Cuffern Manor this week, Julie Murphy and Ceri Owen Jones performed new pieces from their upcoming album, ably supported by Fiddlebox. Julie’s songs are tender and poignant and their collaboration embodies the best of traditional and contemporary work, poetry and music, and, amazingly, Ceri played a piece from the medieval ap Huw manuscript – one of the manuscript sources I have been consulting for my windows project…synchronicity at its best!…dreaming of a harp in the chapel..!
I heard this morning that I didn`t get my funding to go to Northlands Glass in Caithness for an international glass conference called “Touching the Past” and to attend a masterclass with Michael Rogers. Michael Rogers is an amazing American artist who uses glass and found materials to make conceptual pieces. He also uses a lot of text in his work so you can see why I am interested to work with him.
I have been accepted onto the masterclass and I am determined to go, so I went for a walk in the quarry and picked some bilberries while I figured out how to manage it.
Lovely though they are, clearly the bilberries weren`t going to help out much financially, so I have decided to offer a 20% discount on all my work until I have raised the necessary £2000. Do get in touch if there is anything you like on my website or call in to the gallery if you are in Pembrokeshire.
Had a fantastic evening swim on Tenby South Beach with a friend after a day in the studio (not nearly as cold as I expected, and really refreshing!), and then we came across this valiant Scarlet Tiger Moth on the sand…such exquisite colours showing petrol greens and emeralds over black and then a shock of poppy red petticoats….perfect end to my day.
Having loaded the kiln with a deep firing of glass, I set off north for my old stomping ground of Aberystwyth to meet with writer, Damian Walford Davies. We are planning a collaborative project next year to do with our mutual interest in mapping the landscape. I am delighted that Damian will be using one of my paintings on the cover of his new book, ‘Cultural Cartographies – Welsh writing in English’.
This painting is inspired by exploring a microcosmic view of landscape (lichen on Bardsey, to be precise). It is part of a body of work which I had put aside to make way for other interests so I am encouraged that he wants to use it.
Aberystwyth has a special place in my heart, it is where I came to study art aged 18 in 1978. Today it is stunning with the Prom bathed in sunshine and people milling around taking the air.
I called in on old friends, Mary and John Lloyd Jones to catch up on their adventures and developments in Mary’s work.
Mary is an amazing woman, a painter with more energy at 76 than most of is have at half her age. Recently she has been revisiting work on cloth which I remember her doing in the 70’s. She has always been interested in the human shaping of the landscape and in incorporating text and Welsh language in her work, things which I am exploring myself right now. She has always been something of a role model for me as a woman who makes her living from her art and who is constantly pushing her ideas forward. It is great to catch up with her again.
I stayed the night with a friend in Borth. I was at college with Jenny and she now works as an art therapist and community artist. She is also pushing her own work forward, exploring non-toxic methods of printmaking.
Borth was incredible, the beach with its ancient submerged forest cloaked in seaweed radiant in the evening light, with dramatic showers over Bardsey 50 miles away, it is like the gateway to the north and set my mind wondering about my friends up there. Sadly I don’t have time to continue my journey north, I desperately need to get back to my studio and paint. It feels like I have been away too much recently and I need a period of time free from distraction to work.
Just before leaving Aberystwyth I went to the National Library of Wales to see Clive Hicks-Jenkin’s retrospective exhibition there. It is a very impressive show, I especially liked his small landscapes and black and white puppet maquettes.
This afternoon I went to The opening of Roger Cecil’s new exhibition at Oriel Myrddin in Carmarthen. Roger is one of Wales’s finest painters and this exhibition, exploring landscape and the female form, is a joy to visit. It was a pleasure to meet Roger and to see his new work the exhibition runs until August 27th and is well worth seeing.
I have been making casts of the wings of dead shearwaters and other wildlife in preparation for some glass casting I want to do. Not sure where this is leading but I`m sure that will become clear at some point along the way…
Yesterday I went to see Rozanne Hawksley‘s inspirational work in the cloisters of St Davids Cathedral. Rozanne is one of the UK`s leading textile artists and her pieces are amazing for their depth and contemplation. The exhibition continues until June 11th and is well worth a visit. Thank you to Rozanne for reminding me of the importance of drawing as a personal activity.
The evening concert by Jan Garbarek and the Hilliard Ensemble as part of their Officium Novum Tour was out of this world. I went to London to hear Jan Garbarek last year and now he actually came to Pembrokeshire! I am so thrilled. I had permission to draw during the concert but decided just to bathe in the music.Wonderful. Nothing more to say. Hear them.
I spent the afternoon yesterday filming an interview in my studio for S4C’s Llwybyr Arfordir Sir Benfro series to be screened (in Welsh with sub-titles) this autumn. It was great to have the chance to chat with the interviewer, Damian Walford Davies, (a poet and writer based in Aberystwyth), who has a lot of similar interests in his work…islands, maps, archaeology, aerial perspectives, Bardsey……it was fantastic to share ideas and talk over ideas for our work – who knows where these conversations might lead?!
Special thanks to Ruby for helping me in preparing my Welsh!