Oriel y Parc

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I am now half way through my month long residency at Oriel y Parc in St. Davids. It is wonderful to have such a beautiful big studio in which to begin to process the material from ob•serve, the project I have been researching over six months at Skokholm Island Bird Observatory. The work I am doing will develop over the winter and will be the basis of an exhibition in The Tower Gallery, St Davids, next summer.

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I decided to focus particularly on my sketchbooks and the colour “transect” studies. I chose eight sights around the island which I visited every month from April to September and recorded the colours I could see, this now forms the basis of a series of canvases I am painting in oils.

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The residency is teaching me some unexpected things: the benefits of having a studio away from home, of having people around and a context to work in which is less isolated (and has an excellent cafe!), the importance of having clear space and the value of having a routine of going out to work and stopping at 5pm. As a result I have resolved to have a clear-out of my studio and gallery and to reorganise my workspace at home, especially to make space for painting. This means that I will be having a massive sale of work this winter which will (hopefully!) free up space.

I will be giving a public talk about this work at Oriel y Parc on Friday 16th October at 6pm, and also welcome visitors to the studio 4-5pm on Thursdays and Fridays (other times by arrangement). On Saturday 21st November I will be running a one-day painting course focussing on colour at Oriel y Parc. To book phone Oriel y Parc on 01437 720392.

I am immensely grateful to The Arts Council of Wales for funding this project which is allowing me to take the risks necessary to develop my work, to The Wildlife Trust, South and West Wales and the Skokholm Island wardens for giving me the chance to work on the island, and to all the staff at Oriel y Parc and Pembrokeshire Coast National Park for making me so welcome in St. Davids.

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ob•serve

Bonne Maman 2013 Engraved jar, thread, tooth, one pound coin.
Bonne Maman 2013
Engraved jar, thread, tooth, one pound coin.

I am delighted to say that my piece, Bonne Maman, has been selected for the British Glass Biennale at the International Festival of Glass in Stourbridge at the end of May.

Fused glass and sandblasted vitreous enamel 2015 15 x 10cm
Fused glass and sandblasted vitreous enamel 2015
15 x 10cm

This piece is part of a series of glass “postcards” that I am making as part of my residency at Skokholm Island Bird Observatory. This one depicts the skeleton of a Razorbill chick superimposed on Ronald Lockley’s map of the island, and will be exhibited as part of the Contemporary Glass Society postcard exhibition at the International Festival of Glass.

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I have been busy since January preparing for my residency, ob•serve, at Skokholm Island Bird Observatory and on 10th April I went to Skokholm for the first week of this project. As part of the residency I will be spending one week a month on the island for six months through the breeding season. This project is sponsored by the Arts Council of Wales and is supported in-kind by The Wildlife Trust, South and West Wales, Pembrokeshire County Council, Pembrokeshire Coast National Park and Dale Sailing Company. I began by identifying locations where I will return each visit to record the changes in colour, weather and habitat.

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I was out from dawn to dusk and beyond every day and gathered much inspiration. I borrowed some scientific methods for my colour capture exercises which was an interesting way to observe colour removed from the pull of figuration. I have now returned to my studio ready to begin processing my material and developing new work for this project.

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Being on the island gave me the opportunity to be involved in monitoring birds and observe them in the hand.This piece is the first in a series of cast glass pieces I am developing in response to human interaction with birds that takes place during the scientific monitoring on the island.

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I am working on some cast glass textures and details from the island. I am developing some jewellery as a collaboration with silversmith, Sara Lloyd Morris.

There are still a couple of places left on my week long painting course on Skokholm Island in August, it will be an amazing opportunity to work on the island and get to grips with some wild landscape, while enjoying fine food in an idyllic setting.

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I continue to work with people in the community and recently ran a couple of workshops for Pembrokeshire Young Carers, where people aged 8 to 14 who care for a family member, came together to make glass jewellery and a communal glass quilt. One of these workshops was sponsored by Narberth Rotary Club.

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