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Catching up…

Bonne Maman, engraved jam jar, tooth, pound coin. 2013

Apologies for not posting since September, but I have been head down in the studio working on a new body of work courtesy of winning the Adrian Henri Poetry in Art Prize. Apart from being a huge boost to morale, the award has enabled me to buy a new kiln, sand blaster and grinder and has given me 5 months in my studio.

Birth Of The Simple Light, painted fused glass 20 x 23 x 2.5cm
River Day, fused painted glass, 12 x 14 x 1.5
Strand, fused, painted glass, 12 x 14.4 x 1.5cm
Calm Light, Fused painted glass, 20 x 20 x 2cm

Apart from this I have been working on a window for Skokholm Island with Rachel Phillips. We will be installing the window at Easter in time for a grand opening of the Island Bird Observatory at the end of April. I would love to develop some of my Skokholm ideas more fully and am currently researching the feasibility of undertaking a more in-depth project on the island.

Skokholm window in progress.

I continue to develop my work with children and recently worked with pupils of Ysgol y Frenni in Crymych. I am committed to the value of drawing as a learning tool. The importance of offering creative observational experiences was brought home to me recently when a primary school teacher told me how she has noticed in the last five years that increasing numbers of children are coming into school unable to actually look at anything that is not moving on a screen in front of them.

Drawing the Preseli Hills with pupils from Ysgol y Frenni, Crymych.

This year the gallery will be open by arrangement to enable me to devote more time to developing new work. If you would like to visit please email me or phone to make an appointment.

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Turning Of The Year


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The trees are totally magnificent at the moment! I love winter and am enjoying the crisp and the soggy days and soaking up inspiration for my work.

A very exciting development is that I am going once a week to the Department of Architectural Glass at Swansea Metropolitan University where I have a Visiting Artist arrangement whereby I exchange working with the students for access to the facilities and expertise in the department. I am working with the first years on their “Decorative Processes” module with the fabulous Lisa Birkl. It is wonderful to go there and for one day a week to concentrate solely on playing with ideas. It makes me realise how much of my time at home is taken up with admin, writing proposals, answering emails and generally making a living, and how rare it is to have uninterrupted creative time right now…I can feel a New Year’s resolution coming on! This term I have been playing around with the sandblaster, developing my skills and trying things out. I am definitely going to invest in a sandblaster soon.

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Alongside this I have been developing my work in Welsh and English medium local schools and have made a total of 200 glass Xmas decorations with pupils aged 3 to 11 over the past month. It has been fantastic to work with the children and to spread the word about glass to a new generation! Their work is beautiful.

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This has been quite a year for me from installing the Conwy Castle commission, winning the Warm Glass Prize, going to the Northlands symposium, collaborating with Sarah Harman on the Rosebush project, studying with Antoine Leperlier, and now working in Swansea – I am really beginning to feel things start to come together.

I am now putting the final touches to my New Year show ready for the opening on 27th December. For the first time I am showing a series of glass panel alongside my paintings. Pop in and join us for a glass of mulled wine from 27th december – 7th January.

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It has been such an amazing 10 days at the International Festival of Glass that don’t know where to begin…

Firstly, I had four days in Wolverhampton doing a masterclass with Antoine Leperlier. Antoine is a French artist whose use of glass casting techniques derives from working with his grandfather,François Décorchemont, who, in turn had learned from his father, Emile Décorchemont (b.1850), who was studio assistant for Gerome. This depth of heritage resonates through his work. Glass is his language, and he uses the peculiar properties of glass to explore his primary themes which are an exploration of the human condition in relation to the fourth dimension, time.

Obviously, in four days you can not hope to learn so much, but the experience of working with Antoine and absorbing his seriousness of purpose was incredible.

In the evenings we attended various exhibitions and openings connected with the International Festival of Glass. A visit to the Glass Afloat show at Bodenham Arboretum was particularly memorable. It was fascinating to see how other glass artists have made work for a site specific external location. In particular I was impressed by Jacque Pavlosky’s piece made from cut glass found work. Jacque was a fellow student on Antoine’s course.

Following on from this masterclass, I went to Stourbridge to attend the International Festival of Glass. This event centres around the British Glass Biennale which showcases work from among the best in British studio glass.

Gorgeous piece by Cathryn Shilling.

Piece by Louis Thompson which won the Best in Show Award.

James Lethbridge’s breathtaking ‘Midas Jar’.

‘Titan’ a beautiful piece by Bruno Romanelli